email print share on Facebook share on Twitter share on LinkedIn share on reddit pin on Pinterest

PRODUZIONE / FINANZIAMENTI Belgio

Il Centro del Cinema della Federazione Vallonia Bruxelles sostiene il nuovo film di Frédéric Fonteyne e Anne Paulicevich

di 

- Per la sua prima sessione 2022, il Centro supporta, fra gli altri, A Man of the World, un ambizioso film storico

Il Centro del Cinema della Federazione Vallonia Bruxelles sostiene il nuovo film di Frédéric Fonteyne e Anne Paulicevich
I registi Anne Paulicevich e Frédéric Fonteyne

Questo articolo è disponibile in inglese.

The Wallonia Brussels Federation Film and Audiovisual Centre has just announced the results of the Film Commission’s first 2022 session, which is supporting 57 new projects, of which 4 are fiction feature films in production.

These include A Man of the World, which is the new film by Frédéric Fonteyne and Anne Paulicevich (Working Girls [+leggi anche:
recensione
trailer
intervista: Anne Paulicevich e Frédéri…
scheda film
]
), based upon the true story of Ranuccio Bandinelli, an antifascist Archaeology and History of Art teacher who sought to steer clear of politics but who found himself appointed, ex-officio, as Hitler and Mussolini’s official guide during their visit to Rome and Florence. A Man of the World is the story of a man who could have become one of the greatest heroes of all time. A man who is believed to have had the opportunity to rid the world of Hitler and Mussolini in one fell swoop… The filmmakers are continuing their collaboration with Jacques-Henri Bronckart, who also produced Working Girls, on behalf of Versus Productions. The movie is co-produced by Nicola Giuliano, Francesca Cima and Carlotta Calori on behalf of Indigo Films (Italy) and by Nicole Gerhards for Niko Film (Germany).

(L'articolo continua qui sotto - Inf. pubblicitaria)
Hot docs EFP inside

Olivier Meys is likewise set for support in the production phase as he returns with his second feature film after the highly acclaimed Bitter Flowers [+leggi anche:
recensione
trailer
intervista: Olivier Meys
scheda film
]
. In La vie devant nous, he follows Jahia, a young Eritrean who lives in an asylum seekers’ centre in Belgium. One day, she meets a young Moldavan woman called Nèta and gets caught in the whirlwind of her crazy energy. Unfortunately, Nèta’s family are ordered to leave the country and she suddenly falls victim to Resignation syndrome, drifting into a deep sleep. La vie devant nous is produced by Michigan Films (Belgium) in co-production with Kidam Films (France).

The Commission is also awarding aid in the production phase to filmmaker Jawad Rhalib who is making his return to fiction after dedicating himself to the documentary form in recent years (notably via Fadma: Even Ants Have Wings [+leggi anche:
recensione
trailer
scheda film
]
and When Arabs Danced [+leggi anche:
trailer
scheda film
]
) and is currently preparing Amal [+leggi anche:
recensione
trailer
intervista: Jawad Rhalib
scheda film
]
, produced by Scope Pictures. Last but not least, in league with Wallimage (read our news), the Commission is backing The Other Laurens [+leggi anche:
recensione
trailer
intervista: Claude Schmitz
scheda film
]
by Claude Schmitz, who just nabbed an award at FID Marseille for his previous film Lucie Loses Her Horse [+leggi anche:
recensione
intervista: Claude Schmitz
scheda film
]
. This movie is produced by Wrong Men (Belgium) and Chevaldeuxtrois (France).

In terms of films in the development phase, the Commission is wagering on the expert genre cinema duo composed of Hélène Cattet and Bruno Forzani (The Strange Colour of Your Body’s Tears [+leggi anche:
recensione
trailer
scheda film
]
, Let the Corpses Tan [+leggi anche:
recensione
trailer
intervista: Hélène Cattet & Bruno Forz…
scheda film
]
), who are receiving support for their work on Darling, which tells the story of a young painter tracking down his aggressor in 1960s New York, and which is produced by Gapbusters. It’s also throwing its weight behind Laurent Micheli’s (Lola [+leggi anche:
recensione
trailer
intervista: Laurent Micheli
scheda film
]
) adaptation of Simon and Capucine Johannin’s shock novel Nino dans la nuit which is produced by Wrong Men, as well as backing three second feature films: Wind & Walls by Samuel Tilman (The Benefit of the Doubt [+leggi anche:
recensione
trailer
intervista: Samuel Tilman
scheda film
]
), overseen by Eklektik Productions; Krieg by Delphine Noels (Post-partum [+leggi anche:
trailer
intervista: Delphine Noels
scheda film
]
), carried by Frakas Productions, and Vigilante by Olivier Pairoux (SpaceBoy [+leggi anche:
recensione
intervista: Olivier Pairoux
scheda film
]
), produced by Kwassa Films.

Three first films are likewise receiving support in the development phase: L’Âge mûr by Jean-Benoît Ugeux (Wrong Men), L’Eveil de la Mangouste dorée by Fanny Desmares (Panique) and Brûleurs by Barney Frydman (Take Five).

Memorable works awarded writing aids, meanwhile, include new projects by Géraldine Doignon (Un homme à la mer [+leggi anche:
recensione
trailer
scheda film
]
), Vanja d’Alcantara (Kokoro [+leggi anche:
recensione
trailer
scheda film
]
) and Marc-Henri Wajnberg (I Am Chance [+leggi anche:
recensione
intervista: Marc-Henri Wajnberg
scheda film
]
), while foreign co-production subsidies have gone to new films by Bruno Dumont (co-produced in Belgium by Novak Prod) and Emmanuel Finkiel (co-produced in Belgium by Tarantula).

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dal francese)

Ti è piaciuto questo articolo? Iscriviti alla nostra newsletter per ricevere altri articoli direttamente nella tua casella di posta.

Privacy Policy