The team behind the Fribourg International Film Festival (FIFF) are thrilled to see the Swiss cultural world finally getting back to normal. More determined than ever to dazzle Swiss (and other) audiences, the FIFF is looking "to pinpoint key issues in modern society and to get excited about the major talent hailing from all over the world", as explained by Artistic Director Thierry Jobin.

Boasting 127 films from 58 different countries and spanning all continents, this 36th edition of the event (running 18-27 March) aims to be open to the whole world and to tackle sometimes sensitive topics, such as cancel culture and political repression. The FIFF is also looking to be a platform for premieres, with this year’s event offering up 5 world premieres, 1 international premiere, 4 European premieres and 47 Swiss premieres.

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In terms of the international feature films competition, we can count on a strong presence (half of the films selected) of European productions or co-productions, namely Klondike [+leggi anche:
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intervista: Maryna Er Gorbach
scheda film] (Ukraine/Turkey) by Ukrainian director Maryna Er Gorbach, a necessary, hard-hitting and sadly topical film which spotlights the tensions corroding eastern Ukraine; Brighton 4th [+leggi anche:
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intervista: Levan Koguashvili
scheda film] by Levan Koguashvili (Georgia/Russia/Bulgaria/Monaco/USA) which follows a former wrestling champion on his moving and funny paternal odyssey; the touching co-production between Belgium, Romania and Mexico La Civil [+leggi anche:
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intervista: Teodora Ana Mihai
scheda film], by Teodora Ana Mihai, which speaks of a mother’s battle to save her son who has been kidnapped in Mexico; the realist fable The Gravedigger’s Wife [+leggi anche:
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scheda film], which is set in Djibouti’s poorer neighbourhoods and is directed by Khadar Ayderus Ahmed (Finland/Germany/France/Somalia); Last Film Show by Pan Nalin (India/France/USA), which tells the story of a budding young filmmaker; and Broken Keys by Jimmy Keyrouz (Lebanon), which is a hymn to freedom offered up by a Syrian pianist. The festival’s closing film Above Water [+leggi anche:
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The 36th edition of the FIFF will be further graced by a moving tribute to Afghan cinema. Once again at a standstill with its very history threatened by the Taliban’s return to power, the FIFF is taking action and inviting several Afghan filmmaker friends of the festival to choose the films which they believe to be representative of and crucial to their national filmography. Among these gems is Shahrbanoo Sadat’s fiction film The Orphanage [+leggi anche:
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intervista: Shahrbanoo Sadat
scheda film], which caused a sensation at Cannes’ Directors’ Fortnight in 2019. Angola will also be honoured by way of a selection of movies chosen by Angolan producer Jorge Cohen. His selection (ten feature films and a short film line-up) is set to be presented within the New Territory section.

Last but not least, Swiss production will also be out in force, placed centre stage in the dedicated Swiss Passport section. The new TV series Hors Saison, directed by Pierre Monnard (Needle Park Baby [+leggi anche:
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