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Du grand feu ne restent que les braises di Anaïs Tellenne riceve l'anticipo sugli incassi del CNC

di 

- Emmanuelle Devos e Raphaël Thiéry nel cast del film supportato dal centro francese, che sosterrà anche i primi lungometraggi di Akihiro Hata, Jean-Gabriel Leynaud e Hélène Harder

Du grand feu ne restent que les braises di Anaïs Tellenne riceve l'anticipo sugli incassi del CNC
L'attrice Emmanuelle Devos, nel cast di Du grand feu ne restent que les braises di Anaïs Tellenne (© Georges Biard)

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Four first feature film projects have been selected in the final 2021 session of the CNC’s first advance on receipts committee. Standing tall among them is Du grand feu ne restent que les braises by Anaïs Tellenne, who has previously turned heads with short films along the lines of Le mal bleu (directed alongside Zoran Boukherma and selected for Clermont-Ferrand’s national competition in 2019) and whose transition to feature films will see her assembling a cast composed of Emmanuelle Devos (recently nominated for the 2021 Best Actress Lumière Award by way of Perfumes [+leggi anche:
recensione
trailer
intervista: Grégory Magne
scheda film
]
, currently touring cinemas in Deception [+leggi anche:
recensione
trailer
intervista: Arnaud Desplechin
scheda film
]
and hitting cinemas once again from 9 February in I Want to Talk About Duras [+leggi anche:
recensione
trailer
intervista: Claire Simon
scheda film
]
) and Raphaël Thiéry (revealed via Staying Vertical [+leggi anche:
recensione
trailer
intervista: Alain Guiraudie
scheda film
]
, recently seen in the series Paris Police 1900, and back once again in 2022 by way of L’envol).

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Written by Anaïs Tellenne, the story (which won the filmmaker a place in Groupe Ouest’s 2019 Annual Selection) revolves around the character of Raphaël. Nearing sixty with a blind eye and an imposing physique, he’s well aware that people are afraid of him. He lives with his mother in a detached house located on a vast estate attached to the manor house of which he is the caretaker. He’s been leading a tranquil life since the owners passed away, but everything changes one night when their heir, Garance, returns to the family home… Production is steered by Diane Jassem and Céline Chapdaniel on behalf of Koro Films.

An advance on receipts will also be winging its way to Grand Ciel by Akihiro Hata (born in Japan, trained at La Fémis), a project which the director co-wrote with Jérémie Dubois, which spent time at the 2020 Angers Workshops and at the TorinoFilmLab, among other initiatives, and which is produced by Good Fortune Films.

The CNC will also be backing Jean-Gabriel Leynaud’s documentary project Le sang et la boue (co-written by François-Xavier Destors) and Hélène Harder’s documentary Fatna une femme nommée Rachid, which will unfold in Casablanca following in the footsteps of a 60-year-old woman and human rights activist who was once a political prisoner (with production entrusted to Wendigo Films).

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(Tradotto dal francese)

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