Having kicked off on 19 October, filming on Alice Winocour’s Revoir Paris [+leggi anche:
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intervista: Alice Winocour
scheda film] has now entered the home straight, with a wrap date set for 15 December. This will be the filmmaker’s 4th feature film after Augustine [+leggi anche:
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scheda film] (Critics’ Week 2012), Maryland [+leggi anche:
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intervista: Alice Winocour
scheda film] (also unveiled in Cannes, within the Un Certain Regard section in 2015) and Proxima [+leggi anche:
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intervista: Alice Winocour
scheda film] (awarded a Special Mention within Toronto’s Platform competition and a Special Jury Prize at San Sebastian 2019).

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Standing tall among the cast are Virginie Efira (nominated for the 2017, 2019 and 2021 Best Actress Césars by way of In Bed with Victoria [+leggi anche:
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intervista: Justine Triet
scheda film], An Impossible Love [+leggi anche:
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scheda film] and Bye Bye Morons [+leggi anche:
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scheda film], recently well-received in Benedetta [+leggi anche:
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scheda film], hitting cinemas on 22 December and 5 January in Madeleine Collins [+leggi anche:
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intervista: Antoine Barraud
scheda film] and En attendant Bojangles, and later on in 2022 in Les enfants des autres and Don Juan) and Benoît Magimel (currently touring cinemas in Peaceful [+leggi anche:
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scheda film] and Lovers [+leggi anche:
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intervista: Nicole Garcia
scheda film], and whom we’ll be seeing next year in Dune Dreams, Incroyable mais vrai and Bora Bora).

Written by the director, with the assistance of Marcia Romano (nominated for the 2016 Best Screenplay César courtesy of Standing Tall [+leggi anche:
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intervista: Emmanuelle Bercot
scheda film] and notably the co-author of Happening [+leggi anche:
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intervista: Anamaria Vartolomei
scheda film]’s adapted screenplay) and Switzerland’s Jean-Stéphane Bron, the story revolves around Mia who finds herself caught up in a terrorist attack on a Parisian brasserie one Saturday night in the autumn. Three months later, still unable to pick up where she left off and remembering only piecemeal details of the event, she decides to search through her memory banks. Memories of the man she hid with and whose hand she held throughout the ordeal float back up to the surface. Is he still alive? Is she herself still alive? Mia searches the whole of Paris for this hand which saved her life…

Revoir Paris is produced by Isabelle Madelaine on behalf of Dharamsala (Alice Winocour’s go-to partner) and by Émilie Tisné for Darius Films (company which also teamed up with the director on her two previous works), in co-production with France 3 Cinéma and Pathé Films. Pre-purchased by France Télévisions, Canal+ and Ciné+, and benefitting from an advance on receipts from the CNC, as well as support from the Ile-de-France region, the film was shot over a period of eight weeks with Stéphane Fontaine at the helm of photography. Distribution in France and international sales will be steered by Pathé.

For the record, Dharamsala recently produced Robust [+leggi anche:
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intervista: Constance Meyer
scheda film] by Constance Meyer, which opened Critics’ Week in Cannes this year and will be released in French cinemas on 2 March.