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PRODUZIONE / FINANZIAMENTI Polonia

Il primo lungometraggio di Grzegorz Molda, The Hatcher, al montaggio

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- Il film arriva sulla scia del cortometraggio del regista polacco Time to Go, che ha partecipato al Cannes Short Film Palme d’Or nel 2017

Il primo lungometraggio di Grzegorz Molda, The Hatcher, al montaggio
Sul set di The Hatcher di Grzegorz Molda

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Grzegorz Molda’s first feature revolves around a troubled youth and his hope for a fresh start. Molda’s short film Time to Go was presented in the Cannes Short Film Competition in 2017 and showcased his talent for directing actors as well as his affinity for a highly authentic, realistic style. In his upcoming feature, The Hatcher, he will be putting those skills to good use again.

The story, penned by the helmer himself and Monika Powalisz, a Polish fiction and series writer, revolves around two characters. Marta is a tutor in a training flat, and Karol, her young charge, is serving his sentence in a young offenders’ institution. He wants a fresh start, and both his stay in the facility and Marta will help him to get back on his feet again. The Hatcher will introduce Michał Zieliński as Karol, and dancer and performer Agnieszka Kryst as Marta. The crew includes Berlin-based cinematographer Constanze Schmitt (Gentle Night, A Fish Swimming Upside Down [+leggi anche:
trailer
scheda film
]
) as well as some Polish artists: production designer Mela Melak (Netflix’s Erotica 2022 [+leggi anche:
recensione
scheda film
]
), costume designer Małgorzata Fudala (Sweat [+leggi anche:
recensione
trailer
intervista: Magnus von Horn
scheda film
]
), editors Piasek & Wójcik (Time to Go) and sound designer Jacek Hamela.

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series serie

The film is being produced by Izabela Igel (Floating Skyscrapers [+leggi anche:
recensione
trailer
intervista: Tomasz Wasilewski
scheda film
]
, Wild Roses [+leggi anche:
recensione
trailer
intervista: Anna Jadowska
scheda film
]
, The Man with the Magic Box [+leggi anche:
recensione
trailer
scheda film
]
) through Warsaw-based Harine Films, and received financial support from the Polish Film Institute as well as TVP, the Polish public broadcaster.

(L'articolo continua qui sotto - Inf. pubblicitaria)

(Tradotto dall'inglese)

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