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PRODUCERS ON THE MOVE 2022

L’EFP annonce la sélection des Producers on the Move 2022

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- 20 producteurs européens choisis vont participer à cette plateforme hybride de promotion et réseautage avant et après le Festival de Cannes

L’EFP annonce la sélection des Producers on the Move 2022

Cet article est disponible en anglais.

European Film Promotion (EFP) and its member organisations have announced the 2022 line-up for EFP Producers on the Move. Twenty of the most promising, up-and-coming European producers have been selected to take part in EFP’s high-profile hybrid promotion and networking platform before and during the Cannes Film Festival (17-28 May).

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This exclusive group will take part in a tailor-made hybrid programme in order to foster international co-productions, intensify the exchange of experiences and help create new professional networks. The pre-festival online programme, which started yesterday and runs until 5 May, includes 1:1 speed meetings, roundtables and pitching sessions. Producers will then meet personally during the Cannes Film Festival from 19 to 23 May and take part in a five-day on-site programme including case studies, social events and an extensive promotional campaign via the international trade magazines.

Some of the selected producers will be presenting their films at this year’s Cannes Film Festival such as Janine Teerling, Andrea Berentsen Ottmar and Diana Păroiu whose dramas Mediterranean Fever [+lire aussi :
critique
bande-annonce
fiche film
]
 by Maha HajSick Of Myself by Kristoffer Borgli and Return to Seoul [+lire aussi :
critique
bande-annonce
interview : Davy Chou
fiche film
]
 by Davy Chou are screening in Un Certain Regard. Meanwhile, Derk-Jan Warring’s co-production of The Woodcutter Story [+lire aussi :
critique
bande-annonce
interview : Mykko Myllylahti
fiche film
]
 by Mikko Myllylahti will be presented in the Critics’ Week. Other participants of this year’s Producers on the Move programme have already been involved in the production of films by multi-award-winning and renowned directors: Jakub Viktorín co-produced Agnieszka Holland's Spoor [+lire aussi :
critique
bande-annonce
interview : Agnieszka Holland
interview : Zofia Wichlacz
fiche film
]
 and Sergei Loznitsa’s State Funeral [+lire aussi :
critique
bande-annonce
fiche film
]
, while Katya Trichkova was involved in three films by Stephan Komandarev, and Evelin Penttilä produced the upcoming Hit Big [+lire aussi :
bande-annonce
interview : J-P Valkeapää
fiche film
]
 by J-P Valkeapää.

Some of the producers also focus on debut films: for example, Ioanna Bolomyti produced Sonia Kenterman’s multi-award-winning Tailor [+lire aussi :
critique
bande-annonce
interview : Sonia Liza Kenterman
fiche film
]
and Assiminia Proedrou’s upcoming debut Behind The Haystacks, while Alessandro Amato was behind Maura Delpero’s award-winning first feature Maternal [+lire aussi :
critique
bande-annonce
interview : Maura Delpero
fiche film
]
. Meanwhile, Felipe Lage Coro, who worked on Óliver Laxe's Mimosas [+lire aussi :
critique
bande-annonce
interview : Oliver Laxe
fiche film
]
, is now developing Feyrouz Serhal’s debut feature I Am Here But You Can't See Me.

The line-up also includes producers of award-winning films such as Vladimir Lhoták (animated film Even Mice Belong in Heaven [+lire aussi :
bande-annonce
fiche film
]
 by Jan Bubeníček and Denisa Grimmová), Judith Lou Lévy (Nadav Lapid’s Cannes competition title Ahed's Knee [+lire aussi :
critique
bande-annonce
interview : Nadav Lapid
fiche film
]
), Marija Dimitrova (Dina Duma’s Sisterhood [+lire aussi :
critique
bande-annonce
interview : Dina Duma, Antonia Belazel…
fiche film
]
, awarded at Karlovy Vary), Ketie Danelia (Levin Akin’s multi-award-winning film And Then We Danced [+lire aussi :
critique
bande-annonce
interview : Levan Akin
interview : Levan Gelbakhiani
fiche film
]
, Elene Naveriani’s Wet Sand [+lire aussi :
critique
bande-annonce
interview : Elene Naveriani
fiche film
]
), Kuba Kosma (Lukasz Gutt and Łukasz Ronduda's Fears [+lire aussi :
critique
bande-annonce
fiche film
]
), Johannes Schubert (Franz Böhm's Dear Future Children [+lire aussi :
critique
bande-annonce
fiche film
]
), Maarten Schmidt (Daniel Lambo's Breathless [+lire aussi :
bande-annonce
fiche film
]
), Jessie Fisk (Pat Collins' Song of Granite [+lire aussi :
critique
bande-annonce
fiche film
]
), Stefan Eichenberger (Talkhon Hamzavi's short film Parvaneh, nominated for an Oscar) and Alexander Wadouh (Jan Ole Gerster's Oh Boy [+lire aussi :
bande-annonce
interview : Jan Ole Gerster
fiche film
]
).

Cineuropa will be publishing interviews with all the participants in the following days. For more information on every producer, click here.

The 2022 Producers on the Move are:

Johannes Schubert (Austria)
Production company: Schubert

Maarten Schmidt (Belgium)
Production company: Storyhouse

Katya Trichkova (Bulgaria)
Production company: Contrast Film

Janine Teerling (Cyprus)
Production company: AMP Filmworks

Vladimír Lhoták (Czech Republic)
Production company: Hausboot

Evelin Penttilä (Estonia)
Production company: Stellar Film

Judith Lou Lévy (France)
Production company: Les Films du Bal

Ketie Danelia (Georgia)
Production company: Takes Film

Alexander Wadouh (Germany)
Production company: Chromosom Film

Ioanna Bolomyti (Greece)
Production company: Atalante Productions, Argonauts Productions

Jessie Fisk (Ireland)
Production company: Feline Films

Alessandro Amato (Italy)
Production company: Dispàrte

Derk-Jan Warrink (The Netherlands)
Production company: KeplerFilm

Marija Dimitrova (North Macedonia)
Production company: List Production

Andrea Berentsen Ottmar (Norway)
Production company: Oslo Pictures

Kuba Kosma (Poland)
Production company: Serce

Diana Păroiu (Romania)
Production company: Visual Walkabout

Jakub Viktorín (Slovak Republic)
Production company: nutprodukcia

Felipe Lage Coro (Spain)
Production company: Zeitun Films

Stefan Eichenberger (Switzerland)
Production company: Contrast Film

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(Traduit de l'anglais)

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