Magaluf Ghost Town [+lire aussi :
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interview : Miguel Ángel Blanca
fiche film] (Spain/France), a documentary directed by Catalonian musician Miguel Ángel Blanca and set on the neighbouring island of Majorca, is just one convincing example of the type of film – daring, indefinable and unique – that audiences will be able to enjoy at the sixth edition of the Ibizacinefest – Ibiza International Independent Film Festival (IBZCF), which is headed up by energetic and enthusiastic filmmaker Xavi Herrero (Salka, In No Man’s Land [+lire aussi :
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This title is part of the official international section (dubbed Panorama), which, between 11 and 20 March, will screen (in theatres across Ibiza and, once again this year, via a dedicated spot on the Filmin platform) other indie film gems, such as Lobster Soup [+lire aussi :
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fiche film] (Spain/Iceland/Lithuania) by Pepe Andreu and Rafa Moles, All-In [+lire aussi :
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fiche film] (Belgium/Netherlands/France) by Volkan Uce, Rift Finfinnee [+lire aussi :
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fiche film] (Ethiopia/Germany) by Daniel Kötter, Ballenas (Argentina) by Paula Saidon, Beautiful Losers (Mexico) by Guillermo Margariños, Borom Taxi (Argentina) by Andrés Guerberoff and Please Hold the Line [+lire aussi :
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fiche film] (Austria) by Pavel Cuzuioc.

Another official international section at the event, revolving around characters (be they real or not so real), is titled Humans in Focus and contains, among others, some big-hearted European works, such as the production between Lebanon, Germany and Spain Miguel’s War [+lire aussi :
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fiche film], the odyssey of a man who crossed the Mediterranean in search of freedom, helmed by his friend and accomplice Eliane Raheb; The First Woman [+lire aussi :
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interview : Miguel Eek
fiche film] by Majorca’s Miguel Eek, another film about someone who has to endure turbulent storms in her own head as she strives for something akin to normality; another investigation, this time delving into the mysteries of two boys’ lives, in The Saint of the Impossible [+lire aussi :
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fiche film] by Marc R Wilkins (Switzerland); a discussion on the difficulties of beginning the mourning process if one has no clear answers, in the Portuguese feature Shadow [+lire aussi :
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fiche film] by Bruno Gascón; another film from this neighbouring country, The Last Bath [+lire aussi :
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fiche film] by David Bonneville, which portrays the conflicts between religion, family and love; Senior Citizen (Cyprus) by Marinos Kartikkis, which introduces us to an elderly protagonist consumed by solitude; and the Spanish movie Sempre Dijous by Joan Porcel, which homes in on a young trap singer, catapulted towards a destiny from which there is no turning back.

In addition, it is worth mentioning the section dedicated to New Spanish Film, with the presence of invigorating feature debuts, such as Ancient Soul [+lire aussi :
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interview : Álvaro Gurrea
fiche film], the first film by Álvaro Gurrea, which took part in the Berlinale Forum one year ago; another non-fiction feature, Tierra de leche y miel by Carlos Mora, Gonzalo Recio and Hector Dominguez-Viguera; Pedra pàtria, filmed on Minorca by Macià Florit Campins; Aita Mari [+lire aussi :
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fiche film], in which Javi Julio tells of the transformation of an old tuna fishing boat into a vessel for rescuing refugees; and the gripping thriller Losing It All by Víctor Cerdán.

Of course, at the sixth IBZCF, there will be no lack of short-film sections (both national and international), another focusing on the environment in order to raise awareness among young people (Be Blue Think Green), yet another homing in on equal opportunities (and condemning discrimination), special sessions (standing out among which is that cinematic UFO known as The Sacred Spirit [+lire aussi :
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interview : Chema García Ibarra
fiche film] by the peerless Chema García Ibarra) and a retrospective of short films from the Nouvelle Vague.

For more details of the programme and scheduled activities (including industry ones) on the menu at the sixth Ibiza International Independent Film Festival, you can visit its website.