Three UK co-productions – Zeina Durra’s romance Luxor [+lire aussi :
critique
bande-annonce
interview : Zeina Durra
fiche film], Aneil Karia’s robbery yarn Surge [+lire aussi :
critique
interview : Aneil Karia
fiche film] and Brandon Cronenberg’s avatar thriller Possessor [+lire aussi :
critique
fiche film] – make up a quarter of the films selected for the World Cinema Dramatic Competition at the Sundance Film Festival (23 January-2 February 2020).

(L'article continue plus bas - Inf. publicitaire)

They shall be competing against the Swedish divorce drama Charter [+lire aussi :
critique
bande-annonce
interview : Amanda Kernell
fiche film] by Amanda Kernell; writer-director Maïmouna Doucouré’s Cuties [+lire aussi :
critique
bande-annonce
interview : Maïmouna Doucouré
fiche film], about young French dancers; writer-director Zoé Wittock’s Jumbo [+lire aussi :
critique
bande-annonce
interview : Zoé Wittock
fiche film], a French-Luxembourgish-Belgian tale set in an amusement park; and the German-Belgian-Kosovar co-production about bullying in the workplace Exile [+lire aussi :
critique
bande-annonce
interview : Visar Morina
fiche film], written and directed by Visar Morina. There is also Italian involvement in Lemohang Jeremiah Mosese’s African-set story This Is Not a Burial, It's a Resurrection [+lire aussi :
critique
bande-annonce
fiche film], and French, German and Swiss involvement in Massoud Bakhshi’s Yalda, a Night for Forgiveness [+lire aussi :
critique
bande-annonce
interview : Massoud Bakhshi
fiche film].

Ten of the 12 films in the World Cinema Documentary Competition have European involvement. Radu Ciorniciuc’s Acasa, My Home follows children in the Bucharest delta, Iryna Tsilyk introduces us to kids making a film as a way to cope with living in a war zone in The Earth Is Blue as an Orange, Hubert Sauper takes a look at Cuba as a romantic vision and a warning in Epicentro [+lire aussi :
critique
bande-annonce
fiche film], Emma Sullivan’s Into the Deep is about the murder of Danish journalist Kim Wall, Anabel Rodríguez Ríos visits the town of Congo Mirador in Once Upon a Time in Venezuela [+lire aussi :
critique
bande-annonce
fiche film], Benjamin Ree tells the story of an unlikely friendship in The Artist and the Thief, Jerry Rothwell takes a look at autism in The Reason I Jump [+lire aussi :
bande-annonce
fiche film], Susanne Regina Meures takes aim at patriarchy in Saudi Runaway [+lire aussi :
critique
fiche film], and the rare Alba truffle is being tracked down in Michael Dweck’s The Truffle Hunters [+lire aussi :
critique
bande-annonce
interview : Gregory Kershaw et Michael…
fiche film].

There is also a UK co-production in the US Documentary Competition, Be Water by Bao Nguyen, which is a documentary about martial-arts legend Bruce Lee.

The non-competitive Premieres section has a number of UK-co-produced narrative world premieres. They are Euros Lyn’s Dream Horse [+lire aussi :
bande-annonce
fiche film], starring Toni Collette and Damian Lewis; Viggo Mortensen’s directorial debut, Falling [+lire aussi :
critique
bande-annonce
fiche film]; Florian Zeller’s London-set The Father [+lire aussi :
critique
bande-annonce
interview : Florian Zeller
fiche film]; Phyllida Lloyd’s house-building yarn Herself [+lire aussi :
critique
bande-annonce
interview : Clare Dunne
fiche film]; Dominic Cooke’s Cuban Missile Crisis spy-drama The Courier [+lire aussi :
bande-annonce
fiche film]; and Sean Durkin’s The Nest [+lire aussi :
critique
fiche film], starring Jude Law.

Showing in Documentary Premieres is the Irish co-production The Go-Go's, helmed by Alison Ellwood. Meanwhile, there are two UK productions in the Midnight section: Romola Garai’s debut, Amulet, and Remi Weekes’ refugee tale His House.

In the Kids section is Frederike Migom’s excellent Belgian drama Binti [+lire aussi :
critique
bande-annonce
fiche film] and the world premiere of Brenda Chapman’s Come Away, starring Angelina Jolie, David Oyelowo and Michael Caine.

Here is the full list of titles in Sundance 2020’s World Cinema Dramatic Competition and World Cinema Documentary Competition:

World Cinema Dramatic Competition

Charter [+lire aussi :
critique
bande-annonce
interview : Amanda Kernell
fiche film] – Amanda Kernell (Sweden)
Cuties [+lire aussi :
critique
bande-annonce
interview : Maïmouna Doucouré
fiche film] – Maïmouna Doucouré (France)
Exile [+lire aussi :
critique
bande-annonce
interview : Visar Morina
fiche film] – Visar Morina (Germany/Belgium/Kosovo)
High Tide – Verónica Chen (Argentina)
Jumbo [+lire aussi :
critique
bande-annonce
interview : Zoé Wittock
fiche film] – Zoé Wittock (France/Luxembourg/Belgium)
Luxor [+lire aussi :
critique
bande-annonce
interview : Zeina Durra
fiche film] – Zeina Durra (Egypt/UK)
Possessor [+lire aussi :
critique
fiche film] – Brandon Cronenberg (Canada/UK)
Non Distinguishing Features [+lire aussi :
critique
bande-annonce
fiche film] – Fernanda Valadez (Mexico/Spain) 
Summer White – Rodrigo Ruiz Patterson (Mexico)
Surge [+lire aussi :
critique
interview : Aneil Karia
fiche film] – Aneil Karia (UK)
This Is Not a Burial, It's a Resurrection [+lire aussi :
critique
bande-annonce
fiche film] – Lemohang Jeremiah Mosese (Lesotho/South Africa/Italy)
Yalda, a Night for Forgiveness [+lire aussi :
critique
bande-annonce
interview : Massoud Bakhshi
fiche film] – Massoud Bakhshi (France/Germany/Luxembourg/Switzerland/Iran/Lebanon)

World Cinema Documentary Competition

Acasă - My Home [+lire aussi :
critique
bande-annonce
interview : Radu Ciorniciuc
fiche film] – Radu Ciorniciuc (Romania/Germany/Finland)
The Earth Is Blue as an Orange [+lire aussi :
critique
bande-annonce
interview : Iryna Tsilyk
fiche film] – Iryna Tsilyk (Ukraine/Lithuania)
Epicentro [+lire aussi :
critique
bande-annonce
fiche film] – Hubert Sauper (Austria/France/USA)
Influence – Diana Neille (South Africa/Canada)
Into the Deep – Emma Sullivan (Denmark)
The Mole Agent [+lire aussi :
critique
bande-annonce
interview : Maite Alberdi
fiche film] – Maite Alberdi (Chile/USA/Germany/Netherlands/Spain)
Once Upon a Time in Venezuela [+lire aussi :
critique
bande-annonce
fiche film] – Anabel Rodríguez Ríos (Venezuela/UK/Brazil/Austria)
The Painter and the Thief [+lire aussi :
critique
bande-annonce
interview : Benjamin Ree
fiche film] – Benjamin Ree (Norway)
The Reason I Jump [+lire aussi :
bande-annonce
fiche film] – Jerry Rothwell (UK)
Saudi Runaway [+lire aussi :
critique
fiche film] – Susanne Regina Meures (Switzerland)
Softie – Sam Soko (Kenya)
The Truffle Hunters [+lire aussi :
critique
bande-annonce
interview : Gregory Kershaw et Michael…
fiche film] – Michael Dweck (Italy/USA/Greece)