Le Festival Black Nights de Tallinn annonce sa sélection officielle au complet

25/10/2019 - L'événement estonien a dévoilé le programme, riche et chargé, de sa 23e édition

The Coldest Game de Łukasz Kośmicki

Cet article est disponible en anglais.

The line-up of the Official Selection of the 23rd Tallinn Black Nights Film Festival (15 November-1 December), which was kick-started in 2014 when the Estonian festival received its “category A” status, is now complete. Seven world premieres (as well as five international ones and a European one) have been added to the previously announced Wayne Wang’s Coming Home Again, Gipsy Queen [+lire aussi :
critique
bande-annonce
interview : Hüseyin Tabak et Alina Ser…
fiche film] by Hüseyin Tabak, Girl With No Mouth [+lire aussi :
bande-annonce
fiche film] by Can Evrenol, Ulrich Thomsen’s Gutterbee [+lire aussi :
critique
bande-annonce
interview : Ulrich Thomsen et Ewen Bre…
fiche film], Lost Lotus [+lire aussi :
bande-annonce
fiche film] by Liu Shu, Arracht [+lire aussi :
bande-annonce
fiche film] by Tom Sullivan, Konstantin Lopushansky’s Through Black Glass [+lire aussi :
bande-annonce
fiche film] and When the Moon Was Full, helmed by Narges Abyar.

(L'article continue plus bas - Inf. publicitaire)

“From sweeping historical dramas and artsy genre exercises to auteur drama in its purest form, we can say that this selection really encapsulates what we are after,” summed up festival director and head of programme Tiina Lokk. “Fresh takes on old tropes, creative voices breaking away from the traditions of their geographical context, mixed with audience- and critic-pleasing quality.” The jury will hand out the following prizes: the Grand Prix for Best Film, shared by the director and producer, and including a grant of €10,000 from the city of Tallinn; the Best Director Award, which comes with a grant of €5,000; plus gongs for Best Script, Best Actress, Best Actor, Best Cinematographer (with a grant of €1,000 from Angel Films) and Best Music.

Among the new additions are the psychological drama Dead Volume, directed by Kauê Telloli and concentrating on a young teacher trying to solve the strange case of a mute student while also battling accusations that she is mishandling her duties. Dung Luong Dinh’s Drowsy City is bound to shock with its no-holds-barred depictions of violence, as a man living in an abandoned building suddenly needs to welcome three unwelcome guests: gangsters on the run. Jun Robles’ Kalel, 15 will see a boy dealing with life-changing secrets, including his own, while director Héctor Valdez will come back to Tallinn with Malpaso, in which twin brothers are growing up near the Haitian border in the Dominican Republic. One is helping their grandfather to sell coal, but the other leads a rather lonely existence, isolated because of his albinism.

The Antman’s Christoph Gampl will show off his unusual style with the neo-noir Man From Beirut [+lire aussi :
bande-annonce
interview : Christoph Gampl
fiche film], a combination of genre cinema and arthouse telling the story of a blind Lebanese killer, called Momo, who refuses to murder a young girl. Meanwhile, Fatos Berisha will show off his love for Monty Python. In The Flying Circus [+lire aussi :
critique
bande-annonce
interview : Fatos Berisha
interview : Fatos Berisha
fiche film], set in a Kosovo on the verge of war, he shows the actors from a recently closed theatre deciding to show their play, inspired by the British comedy group, in Albania. They are especially enthusiastic after hearing that Michael Palin will be coming as well, to film his documentary. Topping off the world premieres with some upbeat humour, Dimitris Bavellas will show his second feature, In the Strange Pursuit of Laura Durand [+lire aussi :
critique
bande-annonce
interview : Dimitris Bavellas
fiche film], a road movie about two friends hitting the road to find their platonic love interest: a 1990s porn star who mysteriously disappeared a couple of years beforehand.

Anshul Chauhan’s Kontora will celebrate its European premiere, showing a teenager, Sora, embarking on a journey inspired by her grandfather’s World War II-era diary, all the while trying to fix her relationship with her father. Brett Michael Innes’ Fiela’s Child, set in Southern Africa in 1865, will also shine a spotlight on family with the story of a mixed-race woman taking in a lost white child. Almost ten years later, the boy is taken away from her – but they keep on trying to return to each other. In Marionette, Álvaro Curiel de Icaza will tell the story of street artist Belén, who encounters Ernesto – an ambitious foreign actor and director desperately looking for an opportunity in Mexico City. Golden Voices [+lire aussi :
bande-annonce
fiche film] by Evgeny Ruman will focus on Victor and Raya Frenkel, the titular “golden voices” of Soviet film dubbing. In 1990, with the collapse of the Soviet Union, they decided to immigrate to Israel, thus opening a new chapter in their life.

Finally, in Muscle [+lire aussi :
critique
bande-annonce
interview : Gerard Johnson
fiche film], Gerard Johnson will follow up his powerful Hyena [+lire aussi :
critique
bande-annonce
interview : Gerard Johnson
fiche film] and Tony [+lire aussi :
bande-annonce
fiche film] by showing a man trying to get his life back on track by getting into shape while working with a rather unforgiving gym teacher called Terry. Last but not least, Poland’s Łukasz Kośmicki will add some gloss to the competition with his feature debut, The Coldest Game [+lire aussi :
critique
bande-annonce
interview : Łukasz Kośmicki
fiche film], set during the Cold War and starring Bill Pullman and Wałęsa: Man of Hope [+lire aussi :
critique
bande-annonce
fiche film]’s Robert Więckiewicz. In it, the US Secret Service abducts a brilliant mathematician to have him play a chess match against a Soviet grandmaster but, predictably, the international tournament in the Warsaw Palace of Culture and Science turns out to be just a cover – and the stakes much, much higher.