The Polish Film Awards (also known as the Eagles) are as international as it gets this year, as the top three awards – Best Film, Best Director and Best Screenplay – have gone to Quo Vadis, Aida? [+lee también:
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entrevista: Jasmila Žbanić
ficha de la película] by Jasmila Žbanić. The film was co-produced by ten countries, including Poland – established producer Ewa Puszczyńska (Ida [+lee también:
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entrevista: Pawel Pawlikowski
entrevista: Pawel Pawlikowski
ficha de la película], Cold War [+lee también:
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Q&A: Pawel Pawlikowski
ficha de la película]) was on board as the Polish partner of the project. In her moving acceptance speech, she said that she has noticed that people are getting used to the war in Ukraine, just like at a certain point they got used to war in the former Yugoslavia, and this should not happen. She pleaded for people not to grow accustomed to the evil being perpetrated in the world.

The Polish crew of Quo Vadis, Aida? included editor Jarosław Kamiński, who nabbed the award in his category. While there is no dispute over the artistic value of Žbanić’s film, the decision of the Polish Film Academy members did raise a few eyebrows, since the local stake in the other hopefuls was strong across all of the categories. Previously, only one film not in the Polish language has taken home the top award – The Pianist [+lee también:
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ficha de la película] by Roman Polański. This historic win by Quo Vadis, Aida? could be a good pretext to talk about the international impact and significance of the Polish industry and Polish filmmakers in the European market.

Another international angle, which recurred at the Polish Film Awards gala, was the support for Ukraine voiced by many presenters and winners. The Polish Film Academy also paid tribute to Ukrainian filmmakers who have lost their lives during the war, and a special video message from Oleh Sentsov, whose two recent films Rhino [+lee también:
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ficha de la película] and Numbers [+lee también:
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entrevista: Oleg Sentsov
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entrevista: Maciej Bochniak
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Magnesia also snagged the Best Make-up Award (for Waldemar Pokromski and Agnieszka Hodowana), while two Eagles went to Back to Those Days, for Best Actor (Maciej Stuhr, giving, as he put it, his most important performance) and Best Music (Marcin Masecki). Wojciech Smarzowski’s drama The Wedding Day [+lee también:
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entrevista: Wojciech Smarzowski
ficha de la película] earned him the Audience Award and Best Cinematography (for Piotr Sobociński Jr, who won an Eagle last year for his work on I Never Cry [+lee también:
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entrevista: Piotr Domalewski
ficha de la película]).

Aside from these, all films nominated snatched one prize apiece: My Wonderful Life [+lee también:
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entrevista: Łukasz Grzegorzek
ficha de la película] scooped Best Actress (Agata Buzek), Back Then [+lee también:
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ficha de la película] Best Supporting Actress (Ewa Wiśniewska), Sonata [+lee también:
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ficha de la película] Best Sound (Artur Kuczkowski, Tomasz Sikora), The Balcony Movie [+lee también:
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entrevista: Paweł Łoziński
ficha de la película] by Paweł Łoziński Best Documentary, and Autumn Girl Best Production Design (Wojciech Żogała). Seasoned cinematographer Łukasz Gutt was voted Best New Talent for co-directing Fears [+lee también:
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ficha de la película], and Jan Holoubek’s Netflix-produced Mire’97 snagged the Best TV Series Award.

The Leave No Traces [+lee también:
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entrevista: Jan P. Matuszyński
ficha de la película] crew probably had the most bitter pill to swallow because out of 13 nominations, the film only won one – for Best Supporting Actor (Jacek Braciak). Additionally, Jerzy Skolimowski, who recently won the Cannes Jury Prize for EO [+lee también:
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ficha de la película], received the Lifetime Achievement Award, presented by Małgorzata Szumowska, which also contributed to the international feel of the gala.

Here is the full list of award winners:

Best Film
Quo Vadis, Aida? [+lee también:
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entrevista: Jasmila Žbanić
ficha de la película] - Jasmila Žbanić (Bosnia and Herzegovina/Austria/Germany/France/Netherlands/Norway/Poland/Romania/Turkey/Montenegro)

Best Director
Jasmila Žbanić – Quo Vadis, Aida?

Best Screenplay
Jasmila Žbanić – Quo Vadis, Aida?

Best Actress
Agata Buzek – My Wonderful Life [+lee también:
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entrevista: Łukasz Grzegorzek
ficha de la película]

Best Actor
Maciej Stuhr – Back to Those Days

Best Supporting Actress
Ewa Wiśniewska – Back Then [+lee también:
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ficha de la película]

Best Supporting Actor
Jacek Braciak – Leave No Traces [+lee también:
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entrevista: Jan P. Matuszyński
ficha de la película] (Poland/France/Czech Republic)

Best Sound
Artur Kuczkowski, Tomasz Sikora – Sonata [+lee también:
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ficha de la película]

Best Cinematography
Piotr Sobociński Jr – The Wedding Day [+lee también:
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entrevista: Wojciech Smarzowski
ficha de la película] (Poland/Latvia)

Best Editing
Jarosław Kamiński – Quo Vadis, Aida?

Best Music
Marcin Masecki – Back to Those Days

Best Costumes
Dorota Roqueplo – Magnesia [+lee también:
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entrevista: Maciej Bochniak
ficha de la película]

Best Make-up
Waldemar Pokromski, Agnieszka Hodowana – Magnesia

Best Production Design
Wojciech Żogała – Autumn Girl

Audience Award
The Wedding Day - Wojciech Smarzowski

Best Documentary
The Balcony Movie [+lee también:
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entrevista: Paweł Łoziński
ficha de la película] – Paweł Łoziński

Discovery of the Year
Łukasz Gutt – co-director of Fears [+lee también:
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ficha de la película]

Lifetime Achievement Award
Jerzy Skolimowski

Best European Film
Another Round [+lee también:
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ficha de la película] – Thomas Vinterberg (Denmark/Sweden/Netherlands)

Best TV Series
Mire’97 – Jan Holoubek