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Revoir Paris, de Alice Winocour, recibe el anticipo de ingresos del CNC

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- El centro francés también apoyará las nuevas cintas de Bertrand Mandico, Dominik Moll, Catherine Breillat, Sophie Letourneur y Alain Raoust, así como cuatro óperas primas

Revoir Paris, de Alice Winocour, recibe el anticipo de ingresos del CNC
La directora Alice Winocour

Este artículo está disponible en inglés.

Six projects have been selected during the third 2021 session of the CNC’s second advance on receipts committee. Stealing focus among them is Revoir Paris [+lee también:
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entrevista: Alice Winocour
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, which will be Alice Winocour’s 4th feature film after Augustine [+lee también:
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(Critics’ Week 2012), Maryland [+lee también:
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entrevista: Alice Winocour
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(also unveiled in Cannes, within the 2015 Un Certain Regard section) and Proxima [+lee también:
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entrevista: Alice Winocour
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(awarded a Mention within Toronto’s Platform competition and a Special Jury Prize in San Sebastian 2019). Written by the filmmaker in league with Marcia Romano and Jean-Stéphane Bron, the story revolves around a fifty-something American writer and journalist Kate Anderson. While in Paris writing an article about the dancers at the Crazy Horse club, she finds herself caught up in a terrorist attack. Six months later, Kate returns to Paris to try to pick up her life where she left it. But she can only remember snippets of the event. Her return to the city brings back memories of the man with whom she hid during the attack. Kate racks her memory. Is he still alive? Is she still alive? As she pieces the puzzle back together, the path towards potential happiness reveals itself to Kate… According to persistent rumours, Nicole Kidman is set to play the lead role in this film produced by Dharamsala and Darius Films.

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The CNC will also throw its weight behind She Is Conann [+lee también:
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entrevista: Bertrand Mandico
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, which will be Bertrand Mandico’s 3rd feature after The Wild Boys [+lee también:
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entrevista: Bertrand Mandico
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(Venice Critics’ Week 2017, awarded the 2018 Louis-Delluc trophy for Best First Film and nominated in the same category at the 2019 Lumières Awards) and After Blue [+lee también:
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(recently discovered in competition in Locarno). This female rereading of Robert E. Howard’s story will be produced by Ecce Films and Floréal Films together with Belgium's Novak Productions and Luxembourg’s Films Fauves.

An advance on receipts has also been granted to La nuit du 12 [+lee también:
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 by Dominik Moll, whose story was written by the director alongside Gilles Marchand and Pauline Guéna. This will be the 7th feature by the filmmaker who was notably well-received in competition in Cannes in 2000 and 2005 via Harry, He’s Here to Help and Lemming [+lee también:
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, out of competition in Berlin in 2016 by way of News from Planet Mars [+lee también:
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and at Venice’s Giornate degli Autori event in 2019 courtesy of Only the Animals [+lee también:
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. Production is entrusted to Haut et Court.

The CNC has also selected Last Summer [+lee también:
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entrevista: Catherine Breillat
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by Catherine Breillat, who has decided to throw herself into a remake of Queen of Hearts [+lee también:
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entrevista: Gustav Lindh
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by Denmark’s May el-Toukhy. Having previously graced Cannes’ competition line-up in 2007 by way of The Last Mistress, and that of Berlin in 2001 via Fat Girl, this will be Breillat’s first film since Abuse of Weakness [+lee también:
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entrevista: Catherine Breillat
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(Toronto 2013). Production on her new opus is helmed by SBS Productions.

Likewise in receipt of an advance on receipts, we find Voyages en Italie [+lee también:
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, which will be the 5th feature film by Sophie Letourneur, who has previously turned heads with Chicks – Life at the Ranch [+lee también:
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(in competition in Rotterdam in 2010), Les Coquillettes [+lee también:
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(screened out of competition in Locarno in 2012) and Enormous [+lee también:
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(scooping the Jean Vigo Award in 2020, as well as a Best Actor César nomination in 2021). Production is in the hands of Tourne Films.

The second advance on receipts committee also singled out Alain Raoust’s project Strawberry Fields Forever for support. Co-written by Cécile Vargaftig, this 5th feature film by the director behind The Cage [+lee también:
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(in competition in Locarno in 2002) and As Happy As Possible [+lee también:
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(ACID, Cannes 2019) will be produced by Cinéma Defacto and will home in, for the length of a season, on a dozen or so characters residing year-round on a caravan park.

Four debut feature films have similarly been selected by the CNC this summer: Pirates by Myriam Gharbi (production: MPM Films), Banel & Adama by Ramata Sy (La Chauve Souris), and animated projects Sidi Kaba et la porte du retour by Rony Hotin (Special Touch Studio) and Eugène by Anaïs Caura (2P2L and MyFantasy).

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(Traducción del francés)

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