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NIFFF 2021 Premios

Lapsis y Tides dominan el palmarés del NIFFF

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- La edición híbrida del festival ha premiado las cintas del estadounidense Noah Hutton y el suizo Tim Fehlbaum, sin olvidar Boys From County Hell del irlandés Chris Baugh

Lapsis y Tides dominan el palmarés del NIFFF
El director Tim Fehlbaum recoge uno de sus premios por Tides durante la ceremonia del NIFFF (© Miguel Bueno/NIFFF)

Este artículo está disponible en inglés.

The hybrid edition of the Neuchâtel International Fantastic Film Festival (NIFFF) closed in great style, thanks mainly to its impressive attendance results of 29,000 viewers, which include 2,000 online viewings. On the one hand, the unprecedented format of the festival, unspooling both in person and online, allowed it to reconnect with audiences in cinemas (on a limited space basis, being at two thirds of their capacity) who were hungry for shared, “horrific” experiences and, on the other, to enhance access to its online programme, which straight away seduced the thrill-seeking segment of the audience. This latest edition also saw several screenings playing to a full house. Meetings with guests linked to films within the official selection, in person and remotely by way of a new tool, were likewise a great success.

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In terms of the festival’s trophies, the prestigious H.R. Giger “Narcisse” for Best Film was awarded to the cryptically fascinating Lapsis by US director Noah Hutton: a joyous social satire dominated by dark humour. Lapsis describes the harrowing daily life of a delivery man (as well as others living on the margins) who accepts a new job that’s lucrative but strange: pulling cables between metal cubes across kilometres of forest.

The power and creative spirit of Swiss cinema also dominated the awards, thanks to Tim Fehlbaum’s surprising work Tides [+lee también:
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which scooped two major prizes: Best Production Design and the RTS Audience Award. Tides is a dystopia which is both nerve-wracking and full of humanity, showing us the limits of a world at risk of disappearing – our own.

The frightening and at times hilarious Boys from County Hell [+lee también:
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by Irish director Chris Baugh also won a trophy in the form of the prestigious Silver Mélies for Best European Fantastic Feature Film. Boys From Country Hell proves that it’s always best to be wary of legends and that even the smallest and quietest corners of Ireland can conceal blood-thirsty vampires.

As for the other European prize-winners, The Feast [+lee también:
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by Lee Haven Jones bagged the International Critics’ NIFFF Award, while Censor [+lee también:
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by Prano Bailey-Bond nabbed the Youth trophy. In short, this 2021 edition of NIFFF has once again stimulated the visual senses of its insatiable fans, whilst showing that fantastic cinema still has many strings to its bow.

The full list of winners is as follows:

International Competition

HR Giger Narcisse Award for Best Film
Lapsis - Noah Hutton (USA)
Special Mention
Cryptozoo - Dash Shaw (USA)

Silver Méliès for Best European Fantastic Feature Film
Boys from County Hell [+lee también:
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- Chris Baugh (UK/Ireland)

Imaging the Future Award for Best Production Design
Tides [+lee también:
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- Tim Fehlbaum (Germany/Switzerland)

Denis-De-Rougemont Youth Prize
Censor [+lee también:
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- Prano Bailey-Bond (UK)

RTS Audience Award
Tides - Tim Fehlbaum

NIFFF International Critics’ Award
The Feast [+lee también:
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- Lee Haven Jones (UK)

New Cinema from Asia Competition

Audience Award for Best Asian Film
Ok! Madam - Lee Cheol-ha (South Korea)

Short Film Competition

HR Giger Narcisse Award for Best Swiss Short Film
Little Miss Fate - Joder von Rotz (Switzerland)
Special Mention
Le vigneron de la mort - Victor Jaquier (Switzerland)

Silver Méliès for Best European Fantastic Short
Little Miss Fate - Joder von Rotz (Switzerland)

Taurus Studio Innovation Prize
Phlegm - Jan-David Bolt (Switzerland)

Audience Award for Best Short Film
Sprötch - Xavier Seron (Belgium)

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(Traducción del francés)

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