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TURÍN 2018 Torino Film Industry

Relaciones familiares, futuros distópicos e historias oscuras, en el 11° TFL Meeting Event

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- El evento del TorinoFilmLab ha recibido 30 nuevos proyectos en diferentes fases de desarrollo del 23 al 24 de noviembre, entre los cuales destacó el nuevo de Carla Simón, Alcarràs

Relaciones familiares, futuros distópicos e historias oscuras, en el 11° TFL Meeting Event
El director finlandés Mikko Myllylahti presenta su nuevo proyecto, The Woodcutter Story, en el 11° TFL Meeting Event

Este artículo está disponible en inglés.

The Golden Bear at the Berlinale (with Touch Me Not [+lee también:
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entrevista: Adina Pintilie
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), a Grand Prix at Cannes (Diamantino [+lee también:
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entrevista: Gabriel Abrantes, Daniel S…
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) and the Golden Leopard at Locarno (with A Land Imagined [+lee también:
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) are proof that 2018 was a golden year for TorinoFilmLab, the Turin development and financing laboratory for first and second films which, now in its 11th edition, continues to see many titles supported by its programmes shine in the film industry. As is the case every year, while Torino Film Festival dedicated a special section to TFL films (including Duccio Chiarini's The Guest [+lee también:
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entrevista: Duccio Chiarini
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, Babak Jalali's Land [+lee también:
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and Sonja Prosenc's History of Love [+lee también:
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entrevista: Sonja Prosenc
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), the TFL Meeting Event (23 to 24 November) was an opportunity to show a group of professionals and decision makers (300 from all over the world) new projects that are in a more or less advanced stage of development and are looking for co-producers, financiers, sales agents and distributors. 

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Hot docs EFP inside

"This year's selection reflects a general movement towards the exploration of gender and a reflection on family relationships, but also intimate relationships with the virtual world," observes TFL director Savina Neirotti. The relationship between technology and human beings, and the representation of a dystopian future, with a focus on environmental issues, were certainly central themes in the various pitches presented over the course of two days at the Meeting Event (20 projects in the ScriptLab programme and 10 in FeatureLab – the latter including a production prize competition). In the British-Chinese title Success in Circuit , by the visual artist Redmond Entwistle, a man and a woman meet in a Chinese microchip factory, chasing the promises of freedom and profit that come with new technology. The French film She Wolf by Magali Magistry (Méliès d'oro for Best European Fantasy Short Film in 2017 with Expire) talks about biotechnology and hyperconnectivity through the story of a woman who discovers she is being watched and photographed at night while she sleeps. The Finnish project The Squirrel by Markus Lehmusruusu, imagines a near future in which animals are all extinct (except for one squirrel), a comedy that ponders whether it is possible to be happy without a link to nature. The selection also includes An Endless Sunday [+lee también:
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entrevista: Alain Parroni
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 by the Italian director Alain Perroni, which explores the delicate balance between online and offline life, following the events of three millennials on the outskirts of Rome, all wanting to leave their mark on the world, whatever the cost, while the unusual dark tale Titanic Ocean, by the Greek director Konstantina Kotzamani, follows the life of a group of teenagers who, between social media, apps and pop songs, share one dream: to become professional seductresses. 

The Catalonian director Carla Simón (Summer 1993 [+lee también:
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entrevista: Carla Simón
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, winner of an award at the Berlinale 2017) was inspired by her own large family for her second film, Alcarràs [+lee también:
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entrevista: Carla Simón
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entrevista: Giovanni Pompili
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, in which a dynasty of farmers finds itself suddenly without land or a future, while the Czech project The Caravan by Zuzana Kirchnerova is born from a personal story – a road movie starring a mother and her disabled son, focusing on love and a desire to escape – as is Costa Brava, Lebanon [+lee también:
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 by Mounia Akl (Lebanon/France/Sweden/Norway), in which two sisters face the disintegration of their family against the backdrop of a Lebanon suffocating in waste.

The Woodcutter Story [+lee también:
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entrevista: Mykko Myllylahti
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by Mikko Myllylahti (writer of The Happiest Day in the Life of Olli Mäki [+lee también:
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entrevista: Juho Kuosmanen
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, Un Certain Regard 2016 award) is a dark existential comedy set in contemporary Finland, in which a woodcutter is put to the test when he opens a mine in his idyllic village. Other projects include a gangster movie set in Senegal, Life in a Spiral by Rawa Thiaw (co-produced with France and Switzerland), which attempts to reverse clichés about African women, and the French-American stop-motion film project Dandelion Seed by Ru Kuwahata and Max Porter (nominated for an Oscar for Best Animated Short in 2018 with Negative Space), in which a Japanese teenager arrives at a Californian school near to Michael Jackson's Neverland Ranch.

"TFL receives around 800 applications a year. We only select 30 fiction projects and a dozen TV series, we therefore obviously miss out on projects," stated Neirotti, “which is why we have created faster programmes (TFL Extended) that go deeper, and that can be used for projects that do not have the time to participate in our entire process." The next TFL Extended workshop, on TV series, will be held in Turin from 12 to 15 April 2019. 

The projects presented at the 11th TFL Meeting Event: 

ScriptLab

A Piece of Sky [+lee también:
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entrevista: Michael Koch
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- Michael Koch (Switzerland/Germany)
Alcarràs [+lee también:
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entrevista: Carla Simón
entrevista: Carla Simón
entrevista: Giovanni Pompili
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- Carla Simón; co-written by Arnau Vilaró (Spain)
An Endless Sunday [+lee también:
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entrevista: Alain Parroni
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- Alain Parroni; co-written by Giulio Pennacchi (Italy)
Dandelion Seed - Ru Kuwahata & Max Porter (France/United States)
Grand Ciel - Akihiro Hata; co-written by Jérémie Dubois (France)
Life in a Spiral - Rama Thiaw (Senegal/France/Switzerland)
Mignon - Sofia Georgovassili (Greece/Romania)
Petrichor - Esther May Campbell (United Kingdom)
She Wolf - Magali Magistry; co-written by Julie Peyr (France)
Success in Circuit - Redmond Entwistle (United Kingdom/China)
Thanatos - E del Mundo (Philippines/United States)
The Accident - Bruno Carboni; co-written by Marcela Bordin (Brazil)
The Camera - Viktor van der Valk; co-written by Jeroen Scholten van Aschat (Netherlands/Belgium)
The Caravan - Zuzana Kirchnerová; co-written by Tomáš Bojar (Czech Republic)
The Landscapes That You Seek - Juanita Onzaga (Belgium/Colombia)
The Root Crown - Katarzyna Gondek (Poland)
The Squirrel - Markus Lehmusruusu (Finland)
The Succession - Martín Kalina; co-written by Alex Cherniavsky (Argentina)
Therefore I Am - Wregas Bhanuteja; co-written by Daud Sumolang (Indonesia)
Vesna - Sara Kern (Australia) 

FeatureLab

Blood and Water - Jianjie Lin (China) (first feature)
Producers: Yue Zheng & Yiwen Wang – First Light Films (China)

Costa Brava, Lebanon [+lee también:
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- Mounia Akl (Lebanon/France/Sweden/Norway) (first feature)
Co-written by Clara Roquet
Producer: Myriam Sassine - Abbout Productions (Lebanon) 

Rift in the Ice - Maja Miloš (Serbia/Italy/Slovenia) (second feature)
Producer: Jelena Mitrovic - Film House Baš Čelik (Serbia)

Small Body [+lee también:
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entrevista: Laura Samani
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- Laura Samani (Italy/Slovenia) (first feature)
Co-written by Elisa Dondi & Marco Borromei
Producer: Nadia Trevisan - Nefertiti Film (Italy) 

The Settlers [+lee también:
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entrevista: Felipe Gálvez
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- Felipe Gálvez (Chile/Argentina/Denmark) (first feature)
Co-written by Antonia Girardi
Producer: Giancarlo Nasi – Don Quijote Films (Chile) 

The Woodcutter Story [+lee también:
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entrevista: Mykko Myllylahti
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- Mikko Myllylahti (Finland) (first feature)
Producer: Emilia Haukka - Aamu Film Company (Finland) 

Three [+lee también:
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entrevista: Juanjo Giménez
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- Juanjo Giménez (Spain/France) (second feature)
Co-written by Pere Altimira
Producer: Luisa Romeo - Frida Films (Spain) 

Titanic Ocean - Konstantina Kotzamani (Greece) (first feature)
Producer: Maria Drandaki - Homemade Films (Greece) 

You Are There - Nicole Midori Woodford (Singapore/Japan) (first feature)
Producer: Jeremy Chua - Potocol (Singapore) 

Yuni [+lee también:
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- Kamila Andini (Norway/Malaysia/Indonesia)
Co-written by Prima Rusdi
Producer: Ifa Isfansyah - Fourcolours Film (Indonesia)

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(Traducción del italiano)

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