Toronto 2019 / Contemporary World Cinema (The article continues below - Commercial information) 51 articles available in total starting from 31/10/2018. Last article published on 18/09/2019. previous page: 1 [2] 3 4 5 6 next Review: Red FieldsIsraeli Keren Yedaya directs a musical against war and for national demilitarisation, based upon the controversial 1980s rock opera Mami 11/09/2019 | Toronto 2019 | Contemporary World CinemaReview: Arab BluesVENICE 2019: Manele Labidi's debut film uses comedy to talk about life in Tunisia after the fall of President Ben Ali in 2011 10/09/2019 | Venice 2019 | Giornate degli AutoriInterview: Valentyn Vasyanovych • Director of Atlantis“In Ukraine, you have to be an optimist”VENICE 2019: With the help of producer Vladimir Yatsenko, this time providing interpretation, Cineuropa chatted to Valentyn Vasyanovych about Atlantis, named Best Film in this year’s Orizzonti 09/09/2019 | Venice 2019 | OrizzontiInterview: Mattie Do • Director of The Long Walk"A reflection about faith and destiny"VENICE 2019: Laotian director Mattie Do, who grew up in Los Angeles, talks to us about her new film The Long Walk, in competition in the Giornate degli Autori 06/09/2019 | Venice 2019 | Giornate degli AutoriReview: Our Lady of the NileAtiq Rahimi explores the bonds between violence and the sacred through the roots of the Rwandan genocide in 1973, in the world of seemingly innocent privileged young women 06/09/2019 | Toronto 2019 | Contemporary World CinemaReview: The Long WalkVENICE 2019: Mattie Do’s new film is an intricate ghost story about a man who looks to change his own past and suffers the unexpected consequences of this decision 06/09/2019 | Venice 2019 | Giornate degli AutoriReview: AtlantisVENICE 2019: Valentyn Vasyanovych finds love in a hopeless place in one of the most interesting films screening in Orizzonti 05/09/2019 | Venice 2019 | OrizzontiInterview: Jan Komasa • Director of Corpus Christi"Daniel wants to become somebody for once in his life"VENICE 2019: We spoke to Polish director Jan Komasa about his third film, Corpus Christi, which is world-premiering in competition in the Giornate degli Autori 03/09/2019 | Venice 2019 | Giornate degli AutoriReview: The Perfect CandidateVENICE 2019: For her fourth film, Haifaa al-Mansour delights in showing signs of progress being made on gender equality in Saudi Arabia 03/09/2019 | Venice 2019 | CompetitionReview: Corpus ChristiVENICE 2019: In his superb new movie, Jan Komasa investigates the social dynamics of a small community that gets a new priest who hides his true identity 02/09/2019 | Venice 2019 | Giornate degli Autori previous page: 1 [2] 3 4 5 6 next (The article continues below - Commercial information)